Taking the recent infamous event of the brutal demolition of the National Theatre of Tirana, and using the bulldozer as a primary object of inquiry, this film essay further reflects how under the grand narrative of (western constructed notion of) modernity, colonial definitions and practices are still implemented and domesticized in the exploitation of commons.
Film Participations Awards
Tbilisi Architecture Biennial 2020 – Tbilisi,Georgia/ October 26, 2020
Klodiana Millona, Endi Tupja, Yuan Chun Liu
Country of Origin